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Condolences:

Dickie Anderson

So sorry Ginny. A special person indeed. Remember fondly dinner on your boat!!!

Candace Fasano

I was fortunate to have met Jerry several years ago. His paintings for me are poetic and and as timeless as a universal truth. His gentle manner contained a passion for the sublime (even if ordinary), both in his art, and in his absolute revery of the beauty of places, their cultures and most of all the music of places he had once visited. He will be missed and cherished.

Jerry Clapsaddle

2023-08-21

Jerry Clapsaddle, an American Artist, known for Pattern Painting, of Amelia Island Fl passed away on August 21, 2023, with his beloved wife, Virginia Daughtrey, at his side. He was born on December 12, 1941, in Hastings NE, to Loretta and Jack Clapsaddle and raised on a farm in Conrad Iowa. After graduating from Drake University with a Bachelor of Fine Arts, 1964, and a Master of Fine Arts from Indiana University, 1966, he taught art for 40 years at various institutions including University of Hawaii, Indiana University, University of Maryland, State University College of New York, Rhode Island School of Design and University of Rhode Island. He finished his career as an associate professor of art at George Mason University in Virginia where he taught studio art and promoted the exhibition of student and faculty art from 1982 until 2000.

His art is well described by Paul Richard, The Washington Post, 30 August 1980 “Clapsaddle applies, in overlapping layers, some 10,000 little brush strokes-horizontals, verticals, diagonals and arcs. Were he rushed or restless, the building of these pictures, the weaving of these color-tweeds, would no doubt drive him batty. But his works are never frazzled, instead, they suggest contentment and the pace of daydreams. They are mantras for the eye. Clapsaddle repeats himself, but in certain repetitions, the weeding of a garden, the spinning of a prayer wheel—are paths that lead to freedom. In time these paintings blossom: Each one seems to summon to the surface, not one grid, but many grids, overlapping rhythms and patterns that are multiplied. The mind drifts for a while, then focus on detail, then drifts again. The most surprising thing about them is how much there is to see.”

In Jerry’s own words “growing up amidst the constantly changing fields of Iowa, the arriving at abstraction in my work as an artist was inevitable, real and necessary.” The planting, cultivating and harvesting, working with the cycles of seasons was a world complete, consuming and evolving, of nurture, sustenance and wonder. His art on canvas and paper transformed the rows of crops into vectors of patterns, phased in and out, layered and cycled like the seasons and the labored fields of tilling, planting, cultivation and harvest. Approached from near and far from various positions these are also like the horses and show cattle he trained, performing for the viewer with unfolding variety, spirit and precision. And then there is the unexpected.

One of his paintings, Moms Remind (1979), selected for an exhibition The Best of 4 Decades of Washington D.C. Art in 2014, at American University, Washington D.C, revealed a shadow of his young son with arms outstretched, as inspiration and model. His art and process was innovative, fluid, infinitely variable, adaptable to change with a bit of the unexpected.

Jerry’s paintings have been purchased by many corporate, governmental, private and public collectors and institutions. He has been awarded grants from the Virginia Commission for the Arts, fellowships from universities, and two Art In Public Places grants from the National Endowment of the Arts.

In 1997, Jerry completed an ambitious and innovative public art commission for the National Trade Center in Toronto titled Flow of Trade. Unanimously awarded through an international competition and comprised of nearly 200,000 concrete pavers it is the largest public artwork in Canada.

Some of Jerry’s passions and adventures included Boy Scouts, 4H, camping, hiking, canoeing, kayaking, and bareback horse riding. He was an accomplished sailor on the Chesapeake Bay, U.S. east coast, Caribbean and Greece. His website clapsaddleart.com contains works on paper about his sailing adventures.

Jerry is remembered by those who knew and loved him as modest, intelligent, well read, curious, contemplative, compassionate, adventurous, funny, opinionated, articulate and caring.

He is preceded in death by his parents, Jack and Loretta Clapsaddle;

He leaves behind his spouse Virginia Daughtrey; son, Roy Adam Clapsaddle (PJ); sister, Karen L. Hanson (John); sister-in-law, Kathleen Hendrix; nephew, Mark Hanson (Justine); nieces: Gail Hommertzheim (Tim), Kira Krumm (Juan), Kristianna Salmon (Ric), Elizabeth Robbins (Rob), beloved cousins of Crawford and Nelson families and grand nieces and nephews.

In remembrance of Jerry the family requests that any charitable donations be made to
the Alzheimers Association.

A celebration of his life is tentatively planned for fall.

Memories

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